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In the Clay

by Basset

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jimlesses
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jimlesses Favourite song? It would be easier to say which is my least favourite song, but then they are all terrific and that would be doing a disservice to the thoughtful lyrics, memorable arrangements, and the soulful singing of Yasmine Shelton who takes the lead on all the vocals, ably assisted by Sam Clark’s beautiful harmonies, and sublime guitar, mandolin and fiddle playing. But since you asked: In The Clay, Maggie, Phenomenal, Hi Love, Mary’s River, Upside Down... well, you get the idea.
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1.
In the Clay 02:49
How far you’ve come these iron days There’s only distance in this place Oh lonesome and apart Counting up and down the days It’ll pull you out of you Howling like a dog Into the darkest darkness you’ve ever known Sighing low An ancient pine Deep in the heart of a burning zone Don’t you know? Don’t you know? You feel it in your shoulder blades Up to your hips in the cold cold clay You’ve hardened on the rocks And in the unforgiving sun It’ll pull you out of you Howling like a dog Into the darkest darkness you’ve ever known Sighing low An ancient pine Deep in the heart of a burning zone Don’t you know? Don’t you know?
2.
Maggie 02:39
Maggie caught a train to Manitoba She said I’m never coming back Now she’s flying to New England She said he’s a better man Oh Maggie, babe There’s a better way home As long as you keep trying Oh Maggie, babe Don’t have to go You don’t have to fly And I’ll be Maggies’ girl I saw her once on Yonge street With a toke in her left hand She was singing for her money She was singing ‘cause she can Oh Maggie, babe There’s a better way home As long as you keep trying Oh Maggie, babe Don’t have to go You don’t have to fly She bought a house in Prince Edward Island With a garden by the sand She has three little daughters She found a second chance Oh Maggie, babe There’s a better way home As long as you keep trying Oh Maggie, babe Don’t have to go You don’t have to fly
3.
Phenomenal 03:38
This falling time of year A couple borders north of the treeline it comes Down in fits And you’re not safe here In this corrugated home And isn’t it phenomenal To live where nothing lives To live to live What a strange career Playing chess against the wind Not to win Just not to lose And there’s no comfort here It’s just as well Comfort will pull you in And isn’t it phenomenal To live where nothing lives And isn’t it phenomenal To live where nothing lives To live to live Where the fireplace shivers Where the voices are all your own And isn’t it phenomenal
4.
Upside Down 04:32
There’s something strange up in the sky It’s gone all yellow brown The air doesn’t move at all There’s a quiet crowd of eyes on the ground And there he sits with a constant smile In the corner of his mouth Shining shoes and crimson tie The new ruler of the upside down Oh, oh Oh that race is won Oh, oh What have we done? At first these words were whispers in the soil Now they’re growing tall And we’re acting like we haven’t seen The writing on the bathroom stall He’ll have eyes in the hospital Boots on the schoolground A cold and narrow patch of floor For a stranger in the upside down Oh, oh Oh that race is won Oh, oh What have we done? He’ll get himself a sweetheart deal But ain’t that how it goes Slip away to a quiet corner In the remains of the upside down Oh, oh Oh that race is won Oh, oh What have we done
5.
You met an empty afternoon And fell for its tricking It looked like it'd last But turned out such a quick thing The clock hands were falling In love with their ticking They'd sell you no days No change of time Oh, my my You loosened your grip Til the fight couldn't find you And stared through the walls As they tried to unwind you How many midnights Did you leave behind you As you lost your peace In this changing time? Oh, my my A change in the clouds With a fifty cent lining Brought rain to the ground With rivers unwinding You were caught without cover Not ever minding The water's so warm In a change of time Oh, my my Oh, my my Oh, my my
6.
Ships at Sea 03:40
Is it heavy in your armour Are you leaning on your sword Is it time to lay your body down All beautiful and sore Did you check off all your boxes Have your orders all been filled Or do you still have monsters That you have yet to kill You have yet to kill Goodnight, goodnight to all you ships at sea May the weather treat you better than this trouble’s treating me From the royals in high places to the urchins in the street May all your little storms leave you be May all your little storms leave you be Are there mountains on the sidewalk And logs across your door Pushing them around all day Must make you cold and sore Just for tonight There’s no shame in giving up I bet you can find a little quit Even in the best of us Even in the best of us Goodnight, goodnight to all you ships at sea May the weather treat you better than this trouble’s treating me From the royals in high places to the urchins in the street May all your little storms leave you be May all your little storms leave you be
7.
Hi Love 03:54
Hi love Or are we swinging low? Are you my love Or is this none at all? We’ve been spending all our days Setting fires on telephone wires When the smoke begins to raise You’ll make me a harder heart, a better liar Hi love Or are we swinging low? Are you my love Or is this none at all? Now that you’ve begun to broadcast You are bare and on the air Will you read tomorrow’s forecast For this jump-rope love affair? Are we anywhere? Hi love Or are we swinging low? Are you my love Or is this none at all? Now I’m standing barely braced We are out of place and time and space You said love is whatever hurts the most Sure it is Now all we’ve got is traces Of those lies I memorized Will you pay for all those faces Will you pay for all those eyes Hi love Or are we swinging low? Are you my love Or is this none at all?
8.
Morning Man 03:51
His mama said "What a happy child To bring into this life" Now he’s full of thunder Says his life is like a rifle Shot at dawn and waiting For another try To break down roads he’s walking Quit the drink and find a Monday morning Oh good morning man Who you singing to Singing to the dawn and rosy Singing to the girls of yesterday I see him in the early city Looking for a plan Looking out for some more nothing Peace and quiet make the morning man Once I asked what you singing Who you singing to He just kept on walking Singing to himself and to the morning Oh good morning man Who you singing to Singing to the dawn and rosy Singing to the girls of yesterday Good morning man The bar man said the sky is falling Time to say goodnight He drinks back all the rye Whistles to the dancing morning light He's a morning man And ready for a fight He’s a one trick wonder Reaching out for one good Monday morning Oh good morning man Who you singing to Singing to the dawn and rosy Singing to the girls of yesterday
9.
Mary's River 03:46
They stole away a boy on the river Coyotes took him across the land Dropping stones in the clay He left a song to mark his way Just a lost boy singing marys river You won’t find ships on this water No explorers stealing across the land No whaling Mobies in the bay No ocean liners ashore for days Just a lost boy singing Sweet Mary’s river Sweet running by Sweet marys river Wrapped me up where I lay My body gone but I was here to stay A salmon is rushing for the ladder Fails and flys again A man fishes fly The day is falling in his eye And lost boy is singing mary’s river Sweet Mary’s river Sweet running by Sweet Marys river Wrapped me up where I lay My body gone but I was here to stay Sweet Mary’s river Sweet running by Sweet Marys river Wrapped me up where I lay My body gone but I was here to stay
10.
At My Feet 02:53
The heaviness is coming down again To make me see as I have never seen The leaves taking flight in the stillness of the night See these days and the moments in between I see red and gold and a harlequin rose And a world that is hanging by a thread And brown is the colour of the ground as another Sun is headed early to its bed And the lines get sharper as the night gets darker In the space where this and that day seem to meet Surely I was meant to know: is it ash or is it snow That’s falling gently now to settle at my feet? I can see the blue now in my eyes Waiting for another sun to rise The east seems to say it can’t be far away But when it comes I always find myself surprised Seen clouds that ride on a mountainside And a city far below fast asleep Ridges to the north ridges to the south With the worries of tomorrow buried deep And the lines get sharper as the night gets darker In the space where this and that day seem to meet Surely I was meant to know: is it ash or is it snow That’s falling gently now to settle at my feet?

credits

released September 30, 2022

Yasmine Shelton: Lead Vocals, Flute
Sam Clark: Acoustic Guitar, Fiddle, Mandolin, Vocals
Joshua Van Tassel: Drums, Percussion, Piano, Electronics
Bret Higgins: Acoustic Bass, Keyboards

Music and Lyrics by Sam Clark and Yasmine Shelton

Recorded at Union Sound Company
Produced and mixed by Joshua Van Tassel
Engineered by Chris Stringer
Assistant Engineer Darren McGill
Mastered by Heather Kirby

CD Cover and Design by Sarah Elise Bauman

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Basset Toronto, Ontario

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